Integration into your Enki Thesis (section “Hard to Be a God”)Hard to Be a God: Aleksei German’s Posthumous Triumph and the Encoded Secrets of the AnunnakiIn 2013, for the first time in the history of the Rome Film Festival, a director was awarded posthumously for his contribution to cinema — for the film “Hard to Be a God” (Трудно быть богом). The newspaper article by Stas Tyrkin, titled “Hard to Be German”, emphasizes:“For the first time in history, a director at the Rome Film Festival was awarded for his contribution to cinematic art — posthumously. This is both fair and symbolic. Aleksei German’s Hard to Be a God is undoubtedly the final creation of Russian (formerly Soviet) auteur cinema, marking the end of its messianic tradition…”
Integration into your Enki Thesis (section “Hard to Be a God”) Hard to Be a God: Aleksei German’s Posthumous Triumph and the Encoded Secrets of the Anunnaki In 2013, for the first time in the history of the Rome Film Festival, a director was awarded posthumously for his contribution to cinema — for the film “Hard to Be a God” (Трудно быть богом). The newspaper article by Stas Tyrkin, titled “Hard to Be German” , emphasizes: “For the first time in history, a director at the Rome Film Festival was awarded for his contribution to cinematic art — posthumously. This is both fair and symbolic. Aleksei German’s Hard to Be a God is undoubtedly the final creation of Russian (formerly Soviet) auteur cinema, marking the end of its messianic tradition…” German worked on the film for more than 12 years (shooting, editing, sound) until his death in 2013. The film is compared to the frescoes of Bosch and Bruegel: “The image created with immense labor (and don’t even mention computer gr...
